Como en un espejo

Drama

Como en un espejo
Como en un espejo
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Description

These facts about the movie Como en un espejo are very interesting and will help you to know more about the feature film.
The feature film was produced during long months of work and the final result can be enjoyed in the year 1961 after its theatrical release.
The cast of this film (Harriet Andersson, Gunnar Björnstrand, Max von Sydow, Lars Passgard) has very good results since they hit a lot with the role obtained.

Ingmar Bergman He has always been a very hard-working person and that has been reflected in his way of directing the film according to his style.
The characters live the experience throughout 91 min..
The movie is from Sweden.

The way the story is told is wonderful and this result is thanks to the fact that the script was in the hands of Ingmar Bergman.
Almost all of the work is supervised and carried out by the production company Svensk Filmindustri (SF) who has made sure that the quality of each scene is the best possible.
An important job is that of Erik Nordgren and his team who have managed to create a perfect soundtrack for the story they tell us.

The mythical scenes in which the main character is in a visually very harmonious environment, is the product of the great work of Sven Nykvist.
Throughout the entire film we can see the presence of the Drama genre in the feature film.

Trailer

Critics Como en un espejo

One of Bergman's best works. Surprising movie. You realized . .
Better than most things. Beautiful artwork. I don't know what to put here ... it's very good. Look
Visceral, emotional and wonderfully penetrating. God defined it. Through a Glass Darkly Review
Love from familiar angles. Great movie. The Circle of Life, according to Bergman, a round trip between Reality and Illusion ... or the convenience of illusory reality itself ...
A brilliant film, although not among Bergman's best. It is so horrible to see your own confusion and understand it. Certainty achieved
The first in Bergman's Winter Light trilogy is a step forward in style and subtlety. One of Bergman's best works: tragic / poetic / remarkable. So perfect in every way ...
That's life. Bergman never suspends the pleasure of mastering narrative because of an aesthetic interest in meticulous cinematic effect. A blind purchase if there ever was one
Possibly Bergman's most powerful film. Bergman, Glrious Bergman. practically a masterpiece
brilliant essay on fear
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