Barco a la India

Drama

Barco a la India
Barco a la India
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Description

The world of cinema is the entertainment par excellence almost everywhere in the world and the result of so much dedication and work provides us with films as wonderful as Barco a la India .
The year 1947 was full of great premieres and one of them was this.
Among the cast we can see Holger Lowenadler, Anna Lindahl, Birger Malmsten, Gertrud Fridh, Naemi Briese in action.

The person we can consider the leader of this entire project is Ingmar Bergman. With a lot of effort he has managed to lead and coordinate an entire team in order to create an incredible film for his viewers.
The information and background that can be drawn from these 98 min. of film is very broad.
Although the cinema is very widespread throughout the Earth, this film comes to us from Sweden.

One of the most important parts of the film is the decision of which words are going to be chosen to express what the director is looking for and this was in the hands of Ingmar Bergman, Martin Söderhjelm.
The world is full of great producers and one of the best known is Sveriges Folkbiografer, creator and developer of this project.
If you are interested in music and movie soundtracks, you will find it interesting to know that the movie soundtrack was created by Erland von Koch.

The great direction of photography has been taken by Göran Strindberg.
Each film is affected by many different factors so, although there are already many films that are of the Drama genre, it does not mean that it will be the same as others, far from it.

Trailer

Critics Barco a la India

Very good early Bergman. Some good times, but she needed to focus. On the sea trip
One of Bergman's early films is one of the most interesting. Proof that even great directors can make terrible movies. A bitter and anguished love story
Bergman's early dysfunctional family theme. The first yawn-inducing Bergman. Review - Skepp till India Land
Boistrous, Melodramatic Early Bergman. Not among Bergman's best, but still very good
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